Delus’ Tribute to J. Capri-“Gone Too Soon”

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On December 4th, 2015, news that twenty-three year old dancehall diva J. Capri passed away from injuries sustained in a car accident, rocked the entire music fraternity and fans alike. Fans and artists took to social media to express their sorrow, as well as to offer condolences to her family and friends. Reggae/dancehall artist Delus paid tribute to J. Capri in a special way, by writing and recording a song dedicated to her memory called “Gone Too Soon” for City Rock Entertainment.

The track now available on iTunes was released last week, just days prior to the reggae/dancehall community once again receiving shocking news, this time that Delus had committed suicide.

Sigh…

#Ironic

Listening to the lyrics makes my heart hurt…nah lie. Listen for yourselves and remember to love one another. You never know what someone might be going through.

RIP J. Capri

RIP Delus

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Anti-Social Media

Before going to bed last night, I picked up my phone and logged out of Facebook. I felt this desperate need to disconnect and exhale. 

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I vividly recall back in the days if we wanted to connect with persons in different countries, we had to find a pen pal and write a letter. Now all it takes is “add friend” on one of these social media sites and you are instantly connected. Social media as with everything in life has it’s up side and it’s down side. Everyone having access to the internet at first was okay,  because in order to keep in touch and log on, you had to do it from a computer. That computer oftentimes was at home, and in order to post you had to be home.

We owned cellular phones that were only able to act like, well – phones. We would send and receive calls with an occasional text message here and there. As time progressed and technology became more advanced, we saw the birth of the smart phone, which as we all know in many instances seem much smarter than their owners. As the years progressed, we witnessed enormous advancements in technology, and with the mere touch of a button we were able to access the internet at anytime – from anywhere.

What has me puzzled is, now that we have all this technology to keep us connected, why are we so disconnected from each another? Why do we ridicule, judge, criticize, and hate each other so much? Is it too much accessibility and too much personal information out there on social media users? Do users put too much about themselves on the net making themselves targets-preys for other users?

I know you’ve all noticed that no one communicates the old fashioned way anymore. Phone calls have been replaced by text and WhatsApp messages, real smiles replaced by emojis and personal invites by evites. Everyone with a Facebook page is a superstar, and the selfies and constant video clips of them doing everything from using the bathroom to lying in a hospital bed is public info. Nothing is sacred anymore, and nothing is private. TMI all across the net all day everyday. Folks now live for “Likes”, “Shares”, and “Comments!” Some females even experience depression if their “selfie” with their new hairstyle was unable to rack up 300 or more “likes”.

Rumors are started, built and carried away on social media and very few read anything with comprehension. They hit the “share” button on everything scandalous and demeaning, and look for every opportunity to be the owner of the page with the most hype. Some family members with the same address, would rather discuss issues on their timeline as opposed to face to face.

Folks are walking the streets and bumping into each other because of their inability to disconnect from social media. Cars have mowed down pedestrians on crosswalks who had their eyes glued to their phone screens and ear buds jammed in their ears. Even at the dinner table children can be seen with their phones next to their forks, and ears well plugged listening to the latest musical sensation.

It’s most annoying to see friends and family out to dinner, and the source of their amusement is not present company, or the entree…it’s whatever’s got them all looking down at their phones. Who posted what? Who said what about whom? And the photos…yes, the photos. We can’t forget those.

So yeah, I had to log out of Facebook on my phone as I felt as if I was being held hostage. The constant pinging from the notifications became most annoying, and I had no will-power to not look to see who was contacting me. I feel so free and will log in when next I feel like it. I don’t know when that will be, but it feels good to escape the negative energy that’s rampant on these sites.

I am thankful that technology has made things so much easier for us. I can book an airline ticket with ease, shop without a sales associate pretending not to be watching if I’m stealing, see my beautiful grand-daughter on face time whenever I feel like it, and send an email instead of joining a line at the post office.

What I would like to see however, is people communicating from the heart again; really loving one another and spending genuine time with each other. We shouldn’t let the negatives of the internet ruin our lives and our relationships. We mustn’t be so quick to run to mischief and believe rumors. With love, compassion and communication…it can work!

wifii

 

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The Hypocrisy Is Unbearable-RIP Delus

delus...

In April of this year (2016), I was asked by the management of reggae/dancehall artist Delus to work promotions on his behalf. I said no initially, as the genre had stressed me to the fullest. I was (and still am) sick of it. The hypocrisy, the hype, the greed, the lack of talent, the lies, the raunchy behavior, the ridiculousness that’s classified as lyrics, and just about everything about it. I was done, and told his management repeatedly that I wasn’t interested.

I am fully aware there are artists who consistently produce great music, and carry the genre on their shoulders, but this right now is not about them. (Bless up and thank  you all same way).

This is about Delus and the hurt and anger that I am feeling this morning.

So in April, after insisting that I was never again doing artist/music promotions, I relented. My reason was simple, Delus’s music and demeanor. He was a humble and talented artist, and his music was straight from the heart. Most people refer to him as Konshens’ brother, but Delus was an artist in his own right.

About this blog and it’s purpose

Last night I got the shock of my life while scrolling through Facebook. Kevin Jackson posted RIP to Delus, and I immediately emailed Kevin to clarify. This couldn’t be true I thought (though from a reputable source), no way could Delus be deceased.

In less than an hour my worst fears were confirmed, and sources such as Irie Fm and the Jamaica Star posted headlines of his death from an apparent suicide. (Not buying that suicide theory right now, but that’s neither here nor there). I’ll be patient without speculations for the full story.

THE WAGGONISTS

So yeah…here is the real reason for this blog. As mentioned above, I was hired to do PR for Delus, and did so in April and May. I sent out thousands of emails with his songs to the media, sound system selectors and radio personalities among others. I can still count on one hand the responses I received. With the exception of Susan Underwood from Island Stage, and Maliika from Reggae Reflections, none of you had the decency to reply to my correspondences, even when personally addressed to you and not via email blasts. Island Stage featured Delus in their May issue.

You guys on social media were no different either. I would post Delus’ music and often times be ignored…no more than one like here or there, and forget about anyone sharing the info…it wasn’t happening.

So imagine my surprise (and disgust) this morning at the overwhelming love Delus is receiving across the internet. Does he deserve all this love and attention? Of course he does…but why did y’all wait? Why wasn’t his music given all this love and attention when he was alive?

That’s why mi stay cross more time eno, cause I cannot stomach the hypocrisy and insincerity that most a unno possess. I see media houses who shunned him and his music up in arms this morning. Dem a “grieve” and have the most wonderful things to say about Delus and his music. All that is great, but why wasn’t he told and shown all this love when he was alive? The same music you bigging up this morning was there last week; why weren’t you playing and sharing it before? A wha, it neva good then? He wasn’t a wonderful father, artist and person when he was alive? No man…unnu just love hype.

And as for some a unnu on Facebook and Instagram, please spare me! Some of you posting all this RIP and condolences are the same people who read my emails and didn’t even acknowledge the contents…didn’t acknowledge the artist. The same ones who all up on my phone and in my inbox this morning, wanting details to post up on unnu walls for traffic. Unnu want attention and followers. Mi waa fight unnu…all a unnu.

We are living in a sick, sad, loveless society and it hurts. Hurts to realize that the heart of humans can be so callous, so unfeeling, so damn rassclaat hypocritical.

I am deeply saddened by the passing of this young father, young brother, young son, young artist. An artist who had so much potential, yet never got the recognition he so deserved while he was alive. His music is still here for us to listen, and I hope his words will inspire and bring comfort to someone. May your soul rest in eternal peace Delmark, and my sincerest condolences to Delus’ family members, friends and genuine fans.

-Shilo M. Evans

 

 

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Harrison Stafford – 1/2 Dozen Questions

I have to say a special big up to Island Stage’ CEO Susan Underwood for introducing me to this amazing artist/human being. I knew of Harrison Stafford, (in passing)-hey, I’m keeping it real, but I never had the pleasure of really going deep and getting to know his music, or what he was really about. You know…his accomplishments, as well as his tremendous contributions to our culture-and there are many!
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From Harrison’s Biography:
“Harrison Stafford was born in 1977 and grew up in the town of Pleasanton, an east bay suburb of San Francisco, California. He attended regular public schools and also spent time in Synagogue studying the Torah and learning Hebrew. His parents have a deep appreciation for the love of music and music played an important role in the daily life of the family.

For reasons even he can’t fully explain, Reggae music and its’ history touched him at a very young age and sparked a love of the rhythm and culture of the African Diaspora. Still in high school he began to wonder why Reggae music, coming from a relatively small group of poor black people, was such a powerful voice for equal rights and justice, and he longed to be a part of that worldwide struggle.

After graduating from high school, Harrison studied jazz at Sonoma State University where he formed the fusion Reggae group Groundation in 1998. Groundation has since become one of the leading conscious bands of the underground music scene having released eight albums of original music and participated in countless world tours. Harrison continues to be a driving force behind Groundation both in his role as lead vocalist and in his creative ability to develop exciting new music.

Drawing on his personal research and his travel experiences in Jamaica and Africa, Harrison created a college level course titled “the History of Reggae Music”, which he taught at Sonoma State University from 1999-2001. The course was unique in that it took students who maybe just recently heard of Reggae music or only knew it from the popularity of Bob Marley and helped them appreciate the music on a deeper level; helped them understand how the music and message really defines who we are and where we stand in this time.”

You get the idea. So let’s plunge straight into my “1/2 Dozen Questions” with Harrison right her, shall we?: 

CP – Greetings Harrison. How are you king?

HS – I am very well here thank you…getting some time at home with my growing family for the first time in 10 years! 

CP – Wow! Ten years, that must be nice. I admire you for much more than your music. I also admire the passion you have for the culture the music derived from. Can you tell my readers where this passion came from?

HS – As a youth 7-8 years old the music struck a chord within me, something about the singer’s mission of spreading the message of peace and love and a hope for a better world. For me reggae music was the foundation of my childhood. Growing up in California and attending Hebrew school studying the Torah while none of my friends in my town where Jewish, it was very frustrating. I thought “why do I have to spend hours and hours a week studying a language that no one around me spoke?”

It was the words from Bob Marley, Culture, Don Carlos that helped me to gain a confidence and strength as to who I was as these dreadlocked Rastaman sang “The Children of Israel need to be free!” I began making classroom presentation on reggae, Bob Marley, and Rastafari from 10 years old and it was always the culture and the roots of the music that inspired me. My parents instilled in me a love for history and a respect for knowing where things are coming from and I took their teaching to heart.

CP – Tell us about the college level course you created and taught, “The History of Reggae Music”. Was it a challenge for you in regards to getting this approved, and how was it received by your students?

HS – I am very proud of this accomplishment, the first University course on the “History of Reggae Music” which I taught at Sonoma State University from 1999-2001. It took two years to create the course outline and syllabus and also meeting with the department head to prove that this course was needed to be taught and that I was the prefect teacher for such a course.

The passion for this came from the fact that Reggae music unlike the history of Jazz, Rock, or any other genre of music has both a lineal progression and development of the music while also a spiritual mission towards a world of harmony and “one love.” The course was very well received and after the first two semesters of teaching I had to limit the class size because there were too many students signing up to take the course.

CP – Wow…that’s amazing. Maybe this needs to be a mandatory course in all schools. Does “Harrison Stafford and The Professor Crew” consist of the same members as “Groundation”- the reggae fusion group you formed in the nineties?

HS – No, they are different. Groundation features for the most part young Californian jazz musicians and the aim is creating a new style of music; a fusion of Jazz and reggae. Groundation’s music is cutting edge and develops polyrhythmic and harmonic moments that are not typically found in reggae. The Professor Crew is taking the music back to it’s roots and joining some of the legends of Jamaican popular music in the studio to create a powerful example of true roots reggae Rasta music.

The Professor Crew features Leroy “Horsemouth” Wallace on drums (Burning Spear, Jacob Miller, and star of the movieRockers), Flabba Holt on bass (Israel Vibration, Gregory Isaacs, and Bunny Wailer), Obeah Denton on keyboards (URoy, Berrington Levi, and IJahman), and Dalton Browne on guitar (Dennis Brown, Bob Marley, and Freddie McGregor).

CP – You have toured the world and worked with many legends in the reggae industry. Your latest effort “One Dance”, is slated for a May 2016 release. Who are some of the musicians who worked on this project?
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 HS – For “One Dance” I joined the musicians together in Kingston last September at Harry J Studio, the same studio where Bob Marley recorded his classic albums Catch A Fire, Burnin’, Natty Dread, and Rastaman Vibration.

The foundation of the group is the drum and bass and for this recording I have two legends; Leroy “Horsemouth” Wallace on drums and Flabba Holt on bass. Mr. Wallace has been a part of the history of reggae music for more than 50 years coming out of Alpha Boys School and then beginning his recording career at Studio One. He is most known for his starring role in the Jamaican cult classic film Rockers released in 1978.

Bassist Flabba Holt first performed in Western Kingston clubs as a dancer in the 1950s and then later became a vocalist where he would play bass on his own records in the early 1970s. These two musicians have a sound that can shake the earth and when they come together (which is very rare) no one can escape the power and intensity of the groove produced.

 CP – I am also curious about your soon to be released documentary, “Holding On To Jah”. Please share with us a little about this project, and where we will be able to purchase it.

HS – After 15 years of production Holding On To Jah was released on DVD, online streaming and downloading on November 10, 2015. The documentary film is 97 minutes long and features exclusive interviews with many Rasta elder musicians including Culture, Don Carlos, Israel Vibration, The Abyssinians, Ras Michael, Pablo Moses, The Congos, Countryman, Sugar Minot, and Price Alla.

“Holding On To Jah” is the story of reggae music and the Rastafari movement told by the singers and people who brought it to the world. I am extremely proud of this film and after so many years of filming and editing I am thrilled to have it available for the people to enjoy and experience.

…..

Wow. Harrison is a true legend; an inspiration. Bless up king.
I see that Countryman is in the “Holding On To Jah” documentary as well. With him (Countryman) being as ill as he is, I will have to purchase this and watch it with him. I’m sure he will be honored. It’s also more reason for me to keep this dvd dear to my heart.

Thanks for your time Harrison. More life!

 iTunes link to purchase the album:

Link to purchase “Holding On To Jah” dvd: 
One Love!
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